Saturday, October 29, 2016

Guest Post by Henry (Hank) Brown: Peace on Earth, but Please, Not in Fiction



Hank Brown is a long-time online friend of mine, and one of the original members of my Goodreads Small Government Book Fans Club. So when I heard that he had a book to promote, I was happy to invite him to do a guest post on my blog.

It is my policy to allow my guest bloggers complete freedom as to the topic and style as long as it's related to either culture or writing. In this case, I can't overstate how much I like this post because it is very much in line my own feelings on the subject. I hope my readers agree, or at least find it a good subject for reflection and further discussion. Enjoy!

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PEACE ON EARTH, BUT PLEASE, NOT IN FICTION


By Henry (Hank) Brown

To hear people talk, whether at the United Nations or the Miss Universe Pageant, everybody wants world peace. Maybe most of us really do—I haven’t conducted that poll. But with the exception of the My Dinner With Andre fans out there, nobody finds peace very entertaining.

Let’s face it: peace is boring! When you watch a movie or read a book, you’ll tune out if you go too long without some form of conflict. It’s conflict that keeps us turning pages. It’s confrontation, and tension, and anticipation of the showdown that inspires us to hold our bladders until the next commercial break.

As any would-be creative writing teacher will quickly tell you, there are many forms of conflict. You can find a lot of these in the movie Rocky III: Internal; external; physical; emotional; psychological. The conflict pickings are a little slimmer in Gerry. What’s that? You’ve never heard of Gus Van Sant’s cinematic masterpiece, Gerry? Yeah, there’s a reason for that.

Here’s a rule you can apply generally to fiction: the more literary a novel is, the more internal and psychological the conflict. In chick-lit, for instance, the conflict may never get much more intense than a protagonist forced to choose between visiting her dying mother with Alzheimer’s, commiserating with her recently-divorced BFF, or taking her present romantic relationship to the next level.

The more that critics turn their noses up at a given genre, the more overt the conflict. Take bodice-rippers and Harlequin romances: the conflict is either romantic or sexual…or both, but there’s nothing subtle about it. They are the embarrassing crazy aunt of the publishing world. No, make that the embarrassing crazy cash cow. On the other side of the chromosome fence are the male counterparts: westerns; military fiction; heroic fantasy; hard-boiled…all of which either became extinct, or changed so drastically that they might as well be extinct.

Untold millions of men turned to videogames or sports and gave up reading altogether in the 1990s. And it shows—peruse any social network for more than a minute and you’ll find that most males of Generation X and younger are incapable of writing, or comprehending, a coherent sentence. Punctuation? Conjugation? Spelling? Forget it. Vocabulary is shrinking. Contestants on Jeopardy look like geniuses because they are not intimidated by words with more than two syllables. Reading is for weirdoes. Why look up something in the dictionary when you can just wait for the movie to come out? In fact, reading a book quietly is suspicious behavior (but I’m sure it can be treated with therapy and medication).

No doubt traditional publishers would claim they were just “putting out the trash.” Okay: to be honest, some of it was trash. Maybe even some of the stuff I loved, and remember fondly. But some of it was well-written, tightly plotted, thought-provoking, and defied formulaic constraints. Is it still to be looked down upon because it’s escapist in nature?

Hey, I need to escape, and on a regular basis.

Every bean counter in traditional publishing should be forced to watch Sullivan’s Travels at least once. In that Depression-era classic, a self-important film director who fancies himself a champion of the downtrodden masses learns via misadventure that the downtrodden masses don’t need to go to the movies to experience suffering. Nor do they want to. There’s more than enough suffering in real everyday life, thank you very much. At least for those of us who are not film directors or publishing moguls.

At roughly the same time I became a published author, I became a sort of crusader, as well. A knight-errant on a quest to restore the glory days of the forgotten genres listed above. An armchair Indiana Jones—that’s me: Henry Brown and the Lost Audience. I spanned the globe (or at least the Web), cherry-picking what few literary nuggets there were that could help us relive the glory days. When my searches proved fruitless, I turned to my private library, blew the dust off some of my old fond memories and gave them what publicity I could. I began adding one-liners to some of my own promotional copy like: “men’s adventure is coming back!” Lo and behold, some of my fellow revivalists began espousing variations on that theme.

I wanted to overcome the stigma associated with labels such as “men’s adventure” and “men’s fiction.” When people heard those terms, they conjured  images of alcoholic hack writers banging out uninspired, poorly-written, chauvinistic pap full of pointless violence and purple-prose graphic sex. Or is it purple-prose graphic violence and pointless sex? No matter. The point is, there were some guys riding Don Pendleton’s coat tails who fit that description, more or less, and everyone writing men’s adventure suffered guilt by association.

I came up with an alternate name for the umbrella all those resurrected genres could fit under: dude-lit. My intention was that the term would become household, used for fiction rife with overt, physical conflict, but well-written and devoid of those stigmatic stereotypes.

I began using the term. So did maybe a couple other uppity new authors I met and conversed with. I routinely checked Bing and Google to track how the term was catching on. That’s how I learned “dude-lit” had been coopted. Evidently it is now being used to describe fiction with male characters in which the conflict may never get much more intense than a protagonist forced to choose between visiting his dying mother with Alzheimer’s, commiserating with his recently-divorced BFF, or taking his present romantic relationship to the next level. Chick-lit that pees standing up, in other words.
I should have trademarked it.

So “men’s adventure” it is, and to blazes with the stigma.

My Retreads series is full of overt, physical conflict—chases, martial arts, firefights—but there’s a helping of internal conflict too. After Hell and Gone (the first one) there’s even a dash of sexual tension, to give the reader that warm, squishy feeling in between dollops of brutal violence. In that respect the series is a lot like my other published fiction.

True peace is a goal deserving of universality; but that doesn’t make it reality. Peace has to be won, then protected, or what you wind up with is not peace at all—just something labeled as such. It’s an age-old truth, and it makes for great fiction.

Reality sucks. There are too many wrongs and injustices to document, and society’s solutions to them are usually inept at best. At the core of most decent men is the hope that one man, or group of men, could act to change some aspect of the world for the better. Men’s adventure is an expression of that.

With that in mind, I predict there will always be a demand for such books, as long as there are men who know how to read.

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About the Author:

I've always been an action-adventure guy. Normal, well-adjusted people may have grown too mature for movies like Star Wars or The Road Warrior; or fictional heroes like Conan, Tarzan or Mack Bolan. Well, that stuff left a permanent mark on me.

So much for being normal and well-adjusted. (Or mature.)

My own real-life adventure began as a paratrooper in the 82nd Airborne Division, at 18 years old. OK, maybe it wasn't such a great adventure, but I'm proud to have served my country, and to kick off that service in an elite unit with such battlefield distinctions. My military escapades eventually led me through experiences in other corners of the US Army, as well as the USMC and Naval Reserve. My travels in life have taken me to the Caribbean; Central America; the Middle East; Alaska; Hawaii and all over the USA. I've traveled on trains, planes, automobiles, helicopters and ocean-going vessels. I've been trained in the use of rifles; bayonets; hand grenades; automatic rifles; machineguns; grenade launchers; anti-tank rockets and missiles. I even got to play with artillery and tanks. I also had plenty of opportunity to observe the behavior of my fellow human beings at their best and worst.


My aspirations now include a quiet civilian life spinning enough yarns to pay all the bills.

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Purchase Hell and Gone on Amazon, iTunes, in Kobo Store or on Barnes and Noble site
Visit the Hank Brown's book page on Virtual Pulp for more information.